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Desc:Now you've done it.
Category:Classic TV Clips, Horror
Tags:satan, Twilight Zone, ACTING!, dramatic lighting, justied incarceration
Submitted:Two Jar Slave
Date:10/23/15
Views:641
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Comment count is 11
Binro the Heretic
In all fairness, the monk should have had at least one dude standing outside the door to make sure nobody released the ultimate evil.

Or, you know, he could have had a regular door with a regular lock keeping people out of the hallway leading to the room imprisoning the devil with that easily-removed shepherd's staff.

Or he could have just used a regular lock to keep the staff in place.

The old monk is the one who dropped the ball, here.
Bort
Conceptually, I think, they dropped the ball here: evil got unleashed upon the world through mercy, not through cruelty. I guess that makes for irony, but I would figure that only evil can unleash evil, metaphysically speaking.

Oscar Wildcat
A smarter monk would have rushed into the open cell and closed the door. Now a prison is a prison, no matter how big, so has the monk's or the devil's situation changed? He's again on one side of a door with his opponent on the other. Eventually, because the only thing outside the cell door that the devil wants is the monk, you can bet he'll be back in the sweet by and by.

Binro the Heretic
And are shepherd's hooks that rare? Why not seal every exterior door & window in the monastery with one? Then, even if the devil got out of the cell, he wouldn't get out into the world.

The monk is not a bright man. He had decades to work on that.

B. Weed
If any of you have seen Werewolf of London, the 1935 film that would be overshadowed by The Wolf Man, Henry Hull's werewolf transformation is done the same way.

I imagine there were times when Lon Chaney Jr. would have preferred that.
Two Jar Slave
Throw it in the hopper for comparison.

John Holmes Motherfucker
I was wondering if anyone was going to mention the Werewolf of London.

Two Jar Slave
What troubles me here is that 'dramatic lighting' is not a linked tag. Get on it, people!
That guy
That whole clip is a mix of good work and ham-fisted.
Robin Kestrel
This episode also makes use of George Clemen's red-green filter trick, which another impressive practical effect for the time.
That guy
thanks for noting this

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