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No. Fuck no.
I'm not even hitting play, fuck him and the euro-trash film critics he rode into town.
So basically American Psycho and Henry: Portrait of a Serial Killer combined? Yawn.
So whats the big deal with this one? Honestly asking.
I'm guessing it's Lars Von Trier's poignant exploration of the interstital points of view developed by queer people of color during Chicago's late eighties/early nineties house music scene.
I'm still not done with all my "fuck you"s for Melancholia, let alone Nymphomaniac, let alone this.
Lars Von Trier is kind of boring but I appreciate how much he annoys people.
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