|Comment count is 16|
|Sudan no1 - 2013-03-19 |
-1 star because these guys aren't even passingly familiar with Pinocchio & the Emperor of the Night. Also, the Humpty Dumpty idea went on too long.
|Caminante Nocturno - 2013-03-19 |
I vaguely remember a point where fairy tales were remade into sitcom-style 'grown-up' comedies, and I don't know if the current remakes are a step forward or sideways from that.
|cognitivedissonance - 2013-03-19 |
Fairy tales are the new superheroes, and the best part is, they're all in the public domain so they can actually ALL do different versions of them, every studio, AND NOBODY HAS TO PAY A DIME TO ANYBODY ELSE.
What I'd actually slap down money to see is a no-frills, honest truth, biopic ABOUT the Brothers Grimm, the hassles they went through to GET their stories, the ethnic/political bullshit they believed in (as really, without them, we didn't get the Folkisch movement that led to the Nazis), and the deliberate Germanizing of stories that weren't always necessarily German. They were intellectual terrorists, and I'd absolutely love to see a movie about THEM, without, you know, CGI bullshit.
|misterbuns - 2013-03-19 |
These stories were always morbid. Walt Disney replaced their original tone with something more marketable to his audience.
Now the tone is being changed for the same reason.
If Red Letter Media is going to be working the angle of pithy culture critics who want filmmakers to tune into their message about storytelling they should really go deeper than this.
To be fair, this is just an extra segment following their review of the new Hansel and Gretel and Jack the Giant Slayer reviews
Well that they did a whole thing on it and missed that angle kinda makes my criticism heavier.
I don't think this is a bit about changing the tone so much as it is about making them incredibly shitty and derivative on all levels.
There is a reason to change the tone, look, whatever: Copyright.
Even though these tales are in the public domain, movie studios can sue the shit out of other derivative works if they feel like it. For example, the Wizard of Oz is public domain, but almost all not-Judy Garland movie versions take GREAT pains to not look like the classic movie since they could get sued. And since they're making changes, why not make the Wizard a womanizing asshole and give him a smart-talking flying monkey and so on?
While one could make a "new" version of a fairy tale that doesn't suck, it's not the first concern.
|Hooker - 2013-03-19 |
Really, if you're going to try and be funny when you complain about something, the funny should outweigh the dourness. Just straight up being a bore is fine, but more is expected of you when you want to be funny.
|Binro the Heretic - 2013-03-19 |
There was a really good 1980s low-budget flick called "Deadtime Stories" that combined old fairy tale themes with modern horror/gore.
If you haven't seen it, look for it.
but be warned it's not the george romero one on netflix.
^binro speaks the truth, the original deadtime stories is fun as hell.
|garcet71283 - 2013-03-19 |
Once upon a time there was a rich man who had a servant who served him diligently and honestly. Every morning he was the first one out of bed, and at night the last one to go to bed. Whenever there was a difficult job that nobody wanted to do, he was always the first to volunteer. He never complained at any of this, but was contented with everything and always happy.
When his year was over, his master gave him no wages, thinking, "That is the smartest thing to do, for it will save me something. He won't leave me, but will gladly stay here working for me."
The servant said nothing, but did his work the second year as he had done before, and when at the end of this year he again received no wages, he still stayed on without complaining. When the third year had passed, the master thought it over, then put his hand into his pocket, but pulled out nothing.
However, this time the servant said, "Master, I have served you honestly for three years. Be so good as to give me what by rights I have coming to me. I would like to be on my way and see something else of the world."
"Yes, my good servant," answered the old miser, "you have served me without complaint, and you shall be kindly rewarded."
With this he put his hand into his pocket, then counted out three hellers one at a time, saying, "There, you have a heller for each year. That is a large and generous reward. Only a few masters would pay you this much."
The good servant, who understood little about money, put his wealth into his pocket, and thought, "Ah, now that I have a full purse, why should I worry and continue to plague myself with hard work?"
So he set forth, uphill and down, singing and jumping for joy.
Now it came to pass that as he was passing by a thicket a little dwarf stepped out, and called to him, "Where are you headed, Brother Merry? You don't seem to be burdened down with cares."
"Why should I be sad?" answered the servant. "I have everything I need. Three years' wages are jingling in my pocket.
"How much is your treasure?" the dwarf asked him.
"How much? Three hellers in real money, precisely counted."
"Listen," said the dwarf, "I am a poor and needy man. Give me your three hellers. I can no longer work, but you are young and can easily earn your bread."
Now because the servant had a good heart and felt pity for the dwarf, he gave him his three hellers, saying, "In God's name, I won't miss them."
Then the dwarf said, "Because I see that you have a good heart I will grant you three wishes, one for each heller. They shall all be fulfilled."
"Aha," said the servant. "You are a miracle worker. Well, then, if it is to be so, first of all I wish for a blowpipe that will hit everything I aim at; second, for a fiddle, that when I play it, anyone who hears it will have to dance; and third, that whenever I ask a favor of anyone, it will be granted."
"You shall have all that," said the dwarf. He reached into the bush, and what do you think, there lay a fiddle and a blowpipe, all ready, just as if they had been ordered. He gave them to the servant, saying, "No one will ever be able to deny any request that you might make."
"What more could my heart desire?" said the servant to himself, and went merrily on his way.
Soon afterward he met a Jew with a long goatee, who was standing listening to a bird singing high up in the top of a tree.
"One of God's own miracles," he shouted, "that such a small creature should have such a fearfully loud voice. If only it were mine! If only someone would sprinkle some salt on its tail!"
"If that is all you want," said the servant, "then the bird shall soon be down here." He took aim, hit it precisely, and the bird fell down into a thorn hedge.
"Rogue," he said to the Jew, "Go and fetch the bird out for yourself."
"My goodness," said the Jew, "don't call me a rogue, sir, but I will be the dog and get the bird out for myself. After all, you're the one who shot it."
Then he lay down on the ground and began crawling into the thicket. When he was in the middle of the thorns, the good servant could not resist the temptation to pick up his fiddle and begin to play.
The Jew's legs immediately began to move, and he jumped up. The more the servant fiddled the better went the dance. However, the thorns ripped apart the Jew's shabby coat, combed his beard, and pricked and pinched him all over his body.
"My goodness," cried the Jew, "what do I want with your fiddling? Stop playing, sir. I don't want to dance."
But the servant did not listen to him, and thought, "You have fleeced people often enough, and now the thorn hedge shall do the same to you." He began to play all over again, so that the Jew had to jump even higher, leaving scraps from his coat hanging on the thorns.
"Oh, woe is me!" cried the Jew. "I will give the gentleman anything he asks, if only he quits fiddling, even a purse filled with gold."
"If you are so generous," said the servant, "then I will stop my music. But I must praise the singular way that you dance to it." Then he took his purse he went on his way.
The Jew stood there quietly watching the servant until he was far off and out of sight, and then he screamed out with all his might, "You miserable musician, you beer-house fiddler! Wait until I catch you alone. I will chase you until you wear the soles off your shoes. You ragamuffin, just put a groschen in your mouth, so that you will be worth six hellers." He continued to curse as fast as he could speak. As soon as he had thus refreshed himself a little, and caught his breath again, he ran into the town to the judge.
"Judge, sir," he said, "Oh, woe is me! See how a godless man has robbed me and abused me on the open road. A stone on the ground would feel sorry for me. My clothes are ripped into shreds. My body is pricked and scratched to pieces. And what little I owned has been taken away with my purse -- genuine ducats, each piece more beautiful than the others. For God's sake, let the man be thrown into prison."
The judge asked, "Was it a soldier who cut you up like that with his saber?"
"God forbid," said the Jew. "He didn't have a naked dagger, but rather a blowpipe hanging from his back, and a fiddle from his neck. The scoundrel can easily be recognized."
The judge sent his people out after him. They found the good servant, who had been walking along quite slowly. And they found the purse with the money on him as well.
When he was brought before the judge he said, "I did not touch the Jew, nor take his money. He offered it to me freely, so that I would stop fiddling, because he could not stand my music."
"God forbid!" cried the Jew. "He is reaching for lies like flies on the wall."
The judge did not believe his story, and said, "That is a poor excuse. No Jew would do that." And because he had committed robbery on the open road, the good servant was sentenced to the gallows.
As he was being led away, the Jew screamed after him, "You good-for-nothing. You dog of a musician. Now you will receive your well earned reward."
The servant walked quietly up the ladder with the hangman, but on the last rung he turned around and said to the judge, "Grant me just one request before I die."
"Yes," said the judge, "if you do not ask for your life."
"I do not ask for life," answered the servant, "but let me play my fiddle one last time."
The Jew cried out miserably, "For God's sake, do not allow it! Do not allow it!"
But the judge said, "Why should I not grant him this short pleasure? It has been promised to him, and he shall have it." In any event, he could not have refused because of the gift that had been bestowed on the servant.
The Jew cried, "Oh, woe is me! Tie me up. Tie me up tightly."
The good servant took his fiddle from his neck, and made ready. As he played the first stroke, they all began to quiver and shake: the judge, the clerks, and the court officials. The rope fell out of the hand of the one who was going to tie up the Jew.
At the second stroke they all lifted their legs. The hangman released the good servant and made ready to dance.
At the third stroke everyone jumped up and began to dance. The judge and the Jew were out in front and were the best at jumping. Soon everyone who had gathered in the marketplace out of curiosity was dancing with them, old and young, fat and thin, all together with each other. Even the dogs that had run along with the crowd stood up on their hind legs and hopped along as well. The longer he played, the higher the dancers jumped, until they were knocking their heads together and crying out terribly.
Finally the judge, quite out of breath, shouted, "I will give you your life, but just stop fiddling."
The good servant listened to this, then took his fiddle, hung it around his neck again, and climbed down the ladder. He went up to the Jew, who was lying upon the ground gasping for air, and said, "You rogue, now confess where you got the money, or I will take my fiddle off my neck and begin to play again."
"I stole it. I stole it," he cried. "But you have honestly earned it."
With that the judge had the Jew led to the gallows and hanged as a thief.
Brad Pitt can play the servant.
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